
MOTU 828mk3 FireWire Audio Interface
192kHz FireWire Interface with Built-in Effects
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Description |
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Product Reviews |
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MOTU 828mk3 is a FireWire interface, providing 28 inputs and 30 outputs, including
10 channels of analog recording and playback, combined with 16 channels of
ADAT digital I/O, stereo S/PDIF and TOSLink I/O, and on-board SMPTE synchronization.
The 828mk3 's two mic/line/instrument inputs have preamplified sends that allow
you to insert your favorite outboard effects before the signal goes digital.
The real show-stopper here is the built-in digital mixing and effects with
reverb, two compressors (including a modeled LA-2A), and British-style EQ on-board
the 828mk3.
I/O
The 828mk3 provides 28 inputs and 30 outputs in a single rack-space form factor.
All I/O is routed to an on-board 16-bus digital mixer driven by hardware-based
DSP with 32-bit floating point precision. The mixer allows users to apply
no-latency effects processing to inputs, outputs or busses directly in the
828mk3 hardware, independent of the computer. Effects can even be applied
when the 828mk3 is operating stand-alone (without a computer) as a complete
rack-mounted mixer. Input signals to the computer can be recorded wet, dry,
or dry with a wet monitor mix (for musicians during recording, for example).
Eight balanced (TRS) 24-bit analog inputs and outputs, as well as two XLR
main outs and the two preamp inputs, can operate at sample rates up to 192
kHz (a total of ten analog inputs and outputs). Two optical banks provide 16
channels of ADAT optical at 48 kHz, 8 channels of S/ MUX optical I/O at 96
kHz or two banks of stereo TOSLink at rates up to 96 kHz. The banks operate
independently, allowing users to mix and match any optical formats. RCA S/PDIF
connectors also supply independent stereo digital I/O. Each mic input has a
corresponding rear panel send that allows users to insert outboard gear before
the signal goes digital. Any input can be used as a return.
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Effects
Effects include reverb, parametric EQ and compression/limiting. The 828mk3
's Classic Reverb provides five different room types, three frequency shelves
with adjustable crossover points, shelf filtering and reverb lengths up to
60-seconds. Two forms of compression are supplied: a standard compressor
with conventional threshold/ratio/ attack/release/gain controls and the Leveler,
an accurate model of the legendary LA-2A optical compressor, which provides
vintage, musical automatic gain control. Finally, the EQ section provides
7- band parametric EQ modeled after British analog console EQ 's, featuring
4 filter styles (gain/Q profiles) to effectively cover a wide range of audio
material. LP and HP filters are also supplied with slopes that range from
6 to 36dB.
The 828mk3 's flexible effects architecture allows users to apply EQ and compression
on every input and output (a total of 58 channels), with enough DSP resources
for at least one band of parametric EQ and compression on every channel at
48 kHz. However, DSP resources are allocated dynamically and a DSP meter allows
users to keep tabs on the 828mk3 's processing resources. Each input, output
and mix bus provides a send to the Classic Reverb processor, which then feeds
reverb returns to mix buses and outputs, with a selectable split point between
them to prevent send/return feedback loops.
Overload protection
Individual 48V phantom power and 20 dB pad switches are supplied for each of
two front-panel mic/guitar combo jacks, which are both equipped with preamps.
Both inputs also now include a switch that toggles between the low-impedance
XLR mic input and the true (high- impedance) quarter-inch guitar input jack.
Both mic/guitar inputs are equipped with V-Limit, a hardware limiter that
helps prevent digital clipping from overloaded input signals. With V-Limit
enabled, signals can go above zero dB (where limiting kicks in) to as high
as +12 dB above zero with no distortion due to digital clipping. Additional
protection can be applied to the mic/guitar inputs by enabling the 828mk3 's
Soft Clip feature, which engages just before clipping occurs and helps reduce
perceptible distortion.
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Digitally controlled analog input trim
All of the 828mk3 's analog inputs are equipped with digitally controlled analog
trim controls that allow adjustments in precise 1 dB increments. The mic/guitar
input trims can be adjusted using front- panel digital rotary encoders that
provide feedback in the front panel LCD. All analog inputs, including eight
TRS analog inputs, can be trimmed using the CueMix FX control software for
Mac and Windows. This allows users to fine-tune their trim settings for synths,
effects modules and a wide variety of analog inputs for optimum levels. Different
trim configurations can then be saved as files on disk for instant recall.
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CueMix FX software
All of the settings in the 828mk3 are accessible from the programmable front-panel
backlit LCD. Users can also launch the CueMix FX control software for Mac
OS X, Windows XP and Windows Vista. CueMix FX is a completely new software
front-end with attractive graphic mixing, graphic editing of parametric EQ
and a convenient tabbed interface for quick access to all features in one
window. Three separate tabs show inputs, mix busses (eight stereo busses)
and outputs. Users click a "Focus" button on any channel or bus
to edit its settings in another area on the right-hand side, which provides
separate tabs for graphic editing of parametric EQ, compression and other
effects. Each channel displays a graphic thumbnail of EQ curves, compressor
settings and other channel specific parameters. There is also a section for
talkback and listenback. CueMix FX can be operated side by side with any
host audio software for Mac or Windows, and it can be controlled from the
Mackie Control Universal Pro automated worksurface.
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Synchronization
The 828mk3 is equipped with Direct Digital Synthesis (DDS), a DSP-driven phase
lock engine and internal clock source that produces imperceptibly low jitter
characteristics (below the noise floor), even when the 828mk3 is resolved
to an external clock source via either word clock or SMPTE time code. The
828mk3 can directly resolve to (or generate) time code via a dedicated quarter-inch
time code input and output, without the need for an extra synchronizer.
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Expansion, Drivers and AudioDesk
As with other MOTU FireWire interfaces, the 828mk3 supplies two FireWire jacks
so it can be daisy-chained with additional MOTU FireWire audio interfaces
or other devices. The 828mk3 is also fully compatible with the 8pre, a single
rack MOTU interface that adds 8 mic preamp inputs to the 828mk3. Because
the 8pre connects to the 828mk3 via ADAT optical, its mic inputs are fully
integrated into the 828mk3 's on-board CueMix FX digital mixer.
The 828mk3 provides CueMix FX and drivers for Mac (OS X) and Windows (XP and
Vista) for cross-platform compatibility with virtually all audio software via
WDM/ASIO/Core Audio drivers. The included AudioDesk workstation software for
Mac provides 24-bit recording/editing and 32-bit mixing/processing/mastering. |
CueMix FX - 28 input/16 bus mixer with on-board DSP effects, including reverb
with sends/returns, plus EQ and compression on every input and output
28 inputs/30 outputs (at 44.1/48 kHz)
Front-panel control - access any setting in your entire 828mk3 mix directly
from the front panel
Stand-alone operation
Multiple CueMix FX mixes
Two front panel combo jacks provide hi-Z 1/4" guitar input or low-Z XLR
mic input with phantom power
Mic/guitar instrument sends - add outboard effects to the two mic/guitar inputs,
before the signal goes digital
Clip protection - Mic/guitar input limiter prevents digital clipping and distortion
from overloaded signal levels
Eight 24-bit/192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS
jacks
16 channels of ADAT lightpipe, 8 channels of SMUX (96 kHz) or two pairs of
stereo TOSLink
Sample-accurate MIDI
Expandable - add additional interfaces for more I/O as your needs grow
Separate XLR main outs and front-panel headphone jacks, each with independent
volume control
Stereo 24-bit 96kHz S/PDIF in/out
Word clock in and out
SMPTE in and out
Includes drivers for Mac & PC, including ASIO, WDM, Wave, GSIF, Core Audio,
and Core MIDI
Supports all popular Macintosh and Windows audio software
100% compatible with all host-based effects processing in today 's popular
audio programs.
Includes AudioDesk software for the Mac
Plug-and-play operation with your Mac or PC via FireWire
Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined
surround monitoring setups available
Two front panel headphone jacks with independent volume controls
Front panel meters or activity LEDs for all analog, digital and MIDI I/O,
plus SMPTE sync tach and lock LEDs
Dedicated front panel clock status LEDs
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