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International: 408-573-1400Motu HDX-SDI Analog Video Interface with PCIe card
MOTU HDX-SDIVideo Interface with the blazing speed of PCI Express turns your Mac or PC desktop or laptop computer into a powerful HD/SD video production workstation equipped with all the I/O you need. The HDX-SDI connects to a Mac or Windows tower via the included PCI Express card, but it is also available with an ExpressCard adapter for laptops.You can connect any source, from SD camcorders to today's latest professional HD cameras, then log and capture HD or SD clips into your video editing software directly. For the best-possible image quality, use the MOTU HDX-SDI to capture uncompressed video via HD-SDI or HDMI with 4:2:2 10-bit color depth and full-raster 1920 x 1080 HD resolution. Many cameras feed their uncompressed SDI, HDMI, or component output directly from the camera's optics and imager, before compression, for absolutely pristine picture quality during capture with the HDX-SDI. Using ProRes HQ or the codec of your choice in Apple Final Cut Pro or Adobe Premiere Pro if you prefer to edit more conveniently at a lower data rate. Because the HDX-SDI delivers 10-bit uncompressed video to the computer, you are not limited to a particular codec and are instead free to go with the host-based workflow of your choice, including many popular file-based formats now supported by today's video editing software. Features HD/SD PCI Express video interface for Mac and Windows provides HD and SD capture and playback for any current-generation PCI- or ExpressCard-equipped computer Connects to a Mac or PC tower via PCI Express for ultra-fast operation Comprehensive video capture & monitoring supports all standard SD and HD video formats up to, and including, 1080p30 (720p, 1080i, 1080p & 1080PsF) Cross-platform software support - supports Apple Final Cut Pro on the Mac and Adobe Premiere Pro on Windows Captures and plays uncompressed HD and SD: 10-bit 4:2:2 color depth and 1920 x 1080 resolution Support for ProRes and other popular codecs: capture and monitor full-raster (1920 x 1080 or 1280 x 720) Apple ProRes, ProRes HQ, or other popular host-based codecs supported by Apple Final Cut Pro and Adobe Premiere Pro Support for file-based workflows lets you capture, edit, and monitor in any codec supported natively in Final Cut or Premiere, with no transcoding needed Broadcast-quality: 10-bit 4:2:2 signal path throughout ASC CDL color grading provides flexible, industry-standard color adjustment with separate settings for capture and playback HDMI capture and monitoring provides both HDMI in and out Sync and machine control advanced sync features include time code, large front-panel time code display, video ref input, and 9-pin machine control Comprehensive audio: capture or monitor up to 16 channels of audio via any two 8-channel banks of TRS analog, AES/EBU digital, or embedded (SDI or HDMI) at sample rates up to 96kHz Single rack space form factor: professional rack-mount operation, or remove the rack-mount brackets for convenient desktop use International operation: auto-switching internal power supply with powersave mode Apply industry standard color adjustments to your video signal during either capture or monitoring Specification Cross-platform operation (Mac OS X, Windows 7/Vista) Supports Final Cut Pro 6.0.5 or later on Mac OS X Supports Adobe Premiere Pro CS5 or later on Windows 7/Vista Supports Core Audio, Wave, and ASIO drivers Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 19 × 7 × 1.75 inches (48.26 × 17.78 × 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits standard 19 inch (48.26 cm) rack at 1U high. System Requirements For Mac OS X: PC: Not available yet Video formats support:
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| Gigasonic.com 260 East Gish Road San Jose, California 95112 |
Toll-Free: 888-246-4442 Local: 408-573-1400 Fax: 408-573-0602 |
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