Native Instruments Absynth 4 brings together a combination
of multiple synthesis techniques, granular sampling, flexible envelope control
and sampling. A versatile semi-modular architecture and clean interface make
it effortless to sculpt everything from organic textures to rhythmic madness,
from time-evolving soundscapes to vintage sounds.
Absynth 4 is a one-window application. All sub-pages appear within the same
window, allowing for a more efficient work flow. The program comes equipped
with 1,200 KORE-configured presets spanning a vast range of styles and sounds.
The KoreSound Browser makes using these presets fast and easy. "Search" and "Filter" functions
allow the user to find presets according to specific characteristics and attributes.
Sophisticated surround sound features allow the placement and movement of
the sound or its individual components within a spatial environment, ideal
for film and multimedia productions. A stereo live input greatly expands the
sonic potential of the synthesizer, allowing it to be used as an effect unit
for manipulating live signals or sequencer tracks. Designed both for the studio
as well as for the stage, sixteen macro controls allow multiple settings to
be tweaked at the same time.
KoreSound Browser for Easy Navigation
All 1,200 presets, including 200 brand-new ones, have been pre-configured for
use with KORE and categorised as KoreSounds. The KoreSound Browser brings
a high degree of simplicity and speed to the task of finding and managing
presets. Browse and filter according to a number of different sonic criteria
and attributes or just enter a keyword or phrase in the free search mode
- the results are displayed instantly.
Master ADSR
The addition of a freely-definable master ADSR feature greatly simplifies the
use of Absynth 4. Presets can be manipulated without the need to dive into
the depths of the more advanced features, allowing sounds to be easily personalized.
Simply adjust the attack, decay, sustain and release of the active preset
and listen to its sonic character gradually change.
Nearly Limitless Possibilities
Absynth 4 leads the way for future software synthesizers. The 3 channels in
the patch window are the source of the stunning ABSYNTH sound. The signal
flow within these 3 channels is now freely-definable, generating an even
wider range of sounds. An additional oscillator module, the "Sync Granular
mode", produces particularly organic sounds. The sensational wave morphing
feature enables the individual oscillators in the channels to blend different
waveforms into one another, exponentially increasing ABSYNTH's sonic potential.
Easy to Use
The tempo-synced 68-breakpoint envelopes can control practically all the synthesis,
sampling, and effect parameters - guaranteeing some striking sonic results.
Envelope templates make working with this powerful feature easy and straightforward.
The addition of an envelope step mode delivers huge scope for variation.
The creative potential is overwhelming. Sixteen macro controls allow you
to adjust multiple parameters simultaneously. All the macro controls map
automatically onto KORE's control elements.
Surrounded by Sound
Use the new Surround Sound features to assign spatial characteristics to the
sound. Move the sound around or attribute different and constantly shifting
properties to the sound's individual components for some truly unique and
diverse results. Or use the real-time waveform fractalization to create lively
and individual sounds: modulate the waveforms being used by the oscillators
in real-time. Link up to 4 dedicated parameters to envelopes for some weird
and wonderful results.
Effects
Absynth 4 is equipped with an effect section containing a total of 5 different
effects modules.
The new Echo effect is a special unit incorporates 3 independent delays with
various filters in the feedback loop: low pass, high pass and phaser.
The new Resonator effect is a special type of reverb. Incorporated are 3 independent,
delay-based resonators creating a wide range of effect sounds - from classic
delay/reverb effects to metallic and 'crystal' sonic effects. These 3 resonators
can be combined to achieve some unusual results
Multicomb provides six independent delays with feedback and a lowpass filter
in the feedback loop.
Pipe simulates the vibration behavior of some sort of string or tube into
which the sound is sent and tweaked into different positions for flanging,
pitch shifting and rotary speaker effects.
Multitap is a delay with three taps plus feedback and delay times between
one sample and ten seconds. The three taps can be modulated via MIDI or LFOs.
Custom and Complimentary Libraries
Draw in unique, individual waveforms for the oscillators, LFOs and waveshaping
features and save them in the library for future use. Or simply select one
of the dozens of construction templates included in Absynth 4's built-in
oscillator, channel, envelope and waveform libraries to create ingenious
sounds quickly. Sound design with such an intricate and versatile instrument
has never been easier. Just click a button - intoxicating sounds are guaranteed.
Global Community
Registered users of Absynth 4 gain access to an exclusive online community.
Download free banks and presets from the dedicated ABSYNTH User Library or
upload your own creations for others to use. The library includes comprehensive
search functions, user ratings and various filter and sorting functions.
Creative musicicans from all over the world contribute regularly to this
ever-growing and valuable resource.
Stage and Studio
Absynth 4 is as much at home in the studio as it is on stage. All the envelopes
can be tempo-synced or managed remotely via MIDI, enabling dynamic manipulation
of parameters during performances. With the live stereo input you can use
Absynth 4 as an extraordinary effect unit. Route other instruments through
it, twisting and contorting your sounds into unimaginable sonic realities.
Its compatibility with every popular plug-in format ensures seamless integration
into every studio setup.
Type
Mixture of sampling, granular sampling, subtractive, wavetable, FM, AM, ring
modulation and wave shaping synthesis
Voices
Not specified by manufacturer
Sounds
Over 1,200
Effects Reverb, echo, pipe, multi-tap and multi-comb
Output Core Audio, ASIO and Direct Sound
Requirements
Mac:
G4 1.4GHz
OS 10.4.x
256MB RAM
PC:
Pentium 1.4GHz
Windows XP
Specialties
Live stereo input for each channel and audio modulator section allow ABSYNTH
to be used as a fully-featured effect unit
International: 408-573-1400
