Yamaha MG102C Stereo Mixer

Yamaha MG102C Stereo Mixer

 has a total of 10 input channels comprised of two mono microphone/line channels and three stereo line channels. Two of the stereo channel can be used as mono microphone inputs, providing a total of four microphone inputs when necessary. Yamaha MG102C is the ideal mixer for live sound applications, offering sonic quality that will satisfy the most critical listener, surprising flexibility and ease-of-use, and some advanced features you normally wouldn't find in this type of compact mixer. Gain trim covers a wide -60dB ~ -16dB range for microphone input, and -34dB ~ +10dB for line input.

10-input Channel Configuration
Yamaha MG102C has a total of 10 input channels. Two of the stereo channels can be used as mono microphone inputs, providing a total of four microphone inputs when necessary. Yamaha MG102C gain trim covers a wide -60dB to -16dB range for microphone input, and -34dB to +10dB for line input.

Easy-access Connector Panel
Top-mounted input and output connectors make setting up and re-patching your system quick and easy. Yamaha MG102C sports high-quality Neutrik balanced XLR connectors on both mono microphone/line channels and two of the stereo channels. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The two stereo channels on the MG102c provide phone jack and pin jack connectors for compatibility with a wide range of sources. The two mono input channels also feature insert I/O connectors that let you patch external signal processing gear into those channels as required. Separate pin-jack 2TR inputs of Yamaha MG102C are provided to accept the output from a CD player or similar stereo source.

Four High-performance Microphone Preamplifiers with Switchable Phantom Power
Microphone preamplifiers are critical in any mixer, and a performance bottleneck in many. That's why pros often spend thousands of dollars on just a single channel of microphone pre-amplification. The microphone preamps built into the MG mixers inherit technology from Yamaha's professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. All four microphone preamps also feature switchable phantom power so you can take advantage of the natural, extended response of high-quality condenser microphones. A single switch turns phantom power on or off for all four channels.

Built-in Channel Compressors
This advanced feature of Yamaha MG102C can be a tremendous advantage in achieving great vocal sound. Yamaha MG102C can also be used to refine the sound of bass, guitar, and other sources. You won't find built-in channel compression on too many other mixers in this class, but in the MG82cx and MG102c you have Yamaha's innovative one-knob compression feature on mono input channels 1 and 2. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and time-consuming to set appropriately for a given source. Yamaha's one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want.

3-band Channel EQ and High-pass Filter
Building a truly useful, musical-sounding channel equalizer is no easy task, but Yamaha has decades of experience in building pro consoles to draw on, and you reap the benefits in the MG-series mixers. Channels 1, 2, 3/4, and 5/6 feature full 3-band equalizers with LOW, MID, and HIGH controls.

Stereo, Control Room, Monitor, and Headphone Outputs
Located above the mixer's master controls, on the convenient easy-access connector panel, are the main stereo output connectors, phone-jack monitor output connectors, pin-jack recording outputs, and a stereo headphone jack. They may be compact, but these mixers offer plenty of connectivity for a wide range of applications.

Total # Of Inputs:	10 - Total Inputs
Mic/Line Inputs: 4 - Mic Inputs:	Balanced 3-pin XLR 10 - Line Inputs: Balanced 1/4" TRS Phone
Stereo Line Inputs: 4 - Stereo Line Inputs:	(L/R) Balanced 1/4" TRS Phone, channels 3/4, 5/6, 7/8 and 9/10
In-Line Inputs/Returns:	No
AUX Sends:	2 - L/R Stereo 1/4" TRS Phone connections
AUX Returns:	2 - L/R Stereo 1/4" TRS Phone connections
Inserts:	1/4" TRS Phone all mono channels
BUS (Group) Outputs :	Stereo only
Main Outputs: Stereo Outputs:	L/R 1/4" TRS Phone & L/R XLR 3-pin balanced
ALT I/O:	REC Outputs: L/R RCA Outputs
Monitor Outputs:	C/R Outputs: L/R 1/4" TRS Phone
EQ Section:	CH & ST High Pass Filter: 80Hz 12dB/octave Mono Channel EQ -15dB (max.): High: 10kHz (shelving) Mid: 2.5kHz (peaking) Low: 100Hz (shelving) Stereo Channel EQ -15dB (max.): High: 10kHz (shelving) Mid: 2.5kHz (peaking) Low:100Hz (shelving)
Solo/Mute:	Mute & PFL Solo - all input channels
Channel Level Control:	Faders
Trim/Gain Control:	Sealed Rotary Potentiometers (POTS) Gain Range: CH IN MIC: -60 to -16, 3k ohms actual CH IN LINE: -34 to 10, 10k ohms actual ST CH MIC: -60 to -16, 3k ohms actual ST CH LINE: -34 to 10, 10k ohms actual
Phantom Power:	+48V
Metering:	Stereo Peak LED
Frequency Response:	20 - 20kHz @ +4dB 600ohms (ST Out)
Dynamic Range:	Not specified by manufacturer
Signal-to-Noise Ratio:	-128dB 20Hz - 20kHz, RS=150 ohms, Input Gain=Maximum, Input Pad=OFF, Input sensitivity -60dB
Total Harmonic Distortion (THD):	Less than 0.1% (THD+N) <20Hz - 20kHz @ +14dB 600 ohms (ST OUT) Power Supply: 27W 120 V/60 Hz
Dimensions:	9.88 x 2.56 x 11.43" (251 x 65 x 290.5mm) (WxDxH)
Weight:	3.96 lbs (3.0 kg)

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