Yamaha MG124CX Stereo Mixer

Yamaha MG124CX

 audio mixer has a total of 12 input channels ¨C four mono microphone/line inputs and four stereo line inputs. Yamaha MG124CX is designed for both project studio and live sound applications. Two of the stereo line inputs can also function as mono microphone inputs, giving you up to six simultaneous mono microphone inputs when needed. Additional features of Yamaha MG124CX include built-in compressors per channel, 3-band channel EQ and high-pass filter, 6 high-performance mic preamps with switchable phantom power and a built-in SPX multi-effect engine.

Flexible 12-input Configuration
The MG124c and MG124CX both have a total of 12 input channels - four mono microphone/line inputs and four stereo line inputs. Two of the stereo line inputs can also function as mono microphone inputs, giving you up to six simultaneous mono microphone inputs when needed. Yamaha MG124CX gain trim covers a wide -60dB ~ -16dB range for microphone input, and -34dB ~ +10dB for line input.

Comprehensive, Easy-access Connector Panel
Top-mounted input and output connectors make setting up and re-patching your system quick and easy. Both models feature high-quality Neutrik balanced XLR connectors on all four mono microphone/line channels and two of the stereo channels. The XLR-equipped stereo channels of Yamaha MG124CX can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo channels of Yamaha MG124CX provide phone jack and pin jack connectors for compatibility with a wide range of sources. The four mono input channels of Yamaha MG124CX also feature insert I/O connectors that let you patch external signal processing gear into those channels as required. Separate pin-jack 2TR inputs are provided to accept the output from a CD player or similar stereo source.

Six High-performance Microphone Preamplifiers with Switchable Phantom Power
The microphone preamplifiers in any mixer are critical to its overall performance. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. All six microphone preamps feature switchable phantom power so you can take advantage of the natural, extended response of high-quality condenser microphones. A single switch turns phantom power on or off for all microphone channels.

Built-in Channel Compressors
Built-in channel dynamics is usually only found on high-end (and very expensive) consoles. The MG124c and MG124CX feature Yamaha's innovative one-knob compression feature on mono input channels 1 through 4. This advanced feature can be a tremendous advantage in achieving great vocal sound. It can also be used to refine the sound of bass, guitar, and other sources. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and time-consuming to set appropriately for a given source. Yamaha's one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want.

3-band Channel EQ and High-pass Filter
Yamaha has decades of experience in building truly useful, musical equalization into successful pro consoles, and the channel equalizers in MG-series mixers carry on without compromise. Channels 1, 2, 3, 4, 5/6, and 7/8 feature full 3-band equalizers with LOW, MID, and HIGH controls, while 9/10 and 11/12 have 2-band EQ for smooth equalization of stereo sources.

Four Buses (Stereo and Group)
In addition to the main stereo bus the MG124c and MG124CX feature a stereo group bus and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.

Illuminated Channel ON Switches
All input channels feature illuminated channel ON switches chat can be used to individually add or remove channels from the mix without having to change the positions of the channel faders. The effect channel on the MG124CX also has its own ON switch.

Master & Output Section
The MG124CX has pre/post switchable AUX sends on all channels as well as Effect send controls that adjust the level of the signal sent to the mixer's internal multi-effect system. The MG124c has dual AUX send controls for each channel, one switchable for pre- or post-fader operation, and one fixed for prefader send. Master send controls are also provided, as are Return level controls for the Aux and Stereo busses.

Smooth 60-millimeter Faders
Channel and master level control is accomplished via reliable, high-performance 60-millimeter linear faders that provide smooth, noise-free operation. An important advantage of linear faders is that they provide a direct visual indication of relative level settings.

Total # Of Inputs: 12 - Total Inputs

Mic/Line Inputs: 6 - Mic Inputs: Balanced 3-pin XLR
12 - Line Inputs: Balanced 1/4" TRS Phone

Stereo Line Inputs: 4 - Stereo Line Inputs: (L/R) Balanced 1/4" TRS Phone, channels 5/6, 7/8, 9/10, 11/12
channels 9/10 & 11/12 feature both TRS Phone and RCA Phono connections

In-Line Inputs/Returns: No

AUX Sends: 1 - L/R Stereo 1/4" TRS Phone connections

AUX Returns: Aux are returnable via stereo input channels

Inserts: 1/4" TRS Phone all mono channels

BUS (Group) Outputs: Stereo Group Bus: (2) 1/4" TRS Phone
4 Bus output when used in conjunction with main stereo output

Main Outputs: Stereo Outputs: L/R 1/4" TRS Phone & L/R XLR 3-pin balanced

ALT I/O: REC Outputs: L/R RCA Outputs

Monitor Outputs: C/R Outputs: L/R 1/4" TRS Phone

EQ Section: CH & ST High Pass Filter: 80Hz 12dB/octave
Mono Channel EQ -15dB (max.):
High: 10kHz (shelving)
Mid: 2.5kHz (peaking)
Low: 100Hz (shelving)
Stereo Channel EQ -15dB (max.):
High: 10kHz (shelving)
Mid: 2.5kHz (peaking)
Low: 100Hz (shelving)

Solo/Mute: Mute & PFL Solo - all input channels

Channel Level Control: Faders

Trim/Gain Control: Sealed Rotary Potentiometers (POTS)
Gain Range:
CH IN MIC: -60 to -16, 3k ohms actual
CH IN LINE: -34 to 10, 10k ohms actual
ST CH MIC: -60 to -16, 3k ohms actual
ST CH LINE: -34 to 10, 10k ohms actual

Phantom Power: +48V

Metering: Stereo Peak LED

Frequency Response: 20 - 20kHz @ +4dB 600ohms (ST Out)

Dynamic Range: not specified by manufacturer

Signal-to-Noise Ratio: -128dB
20Hz - 20kHz, RS=150 ohms, Input Gain=Maximum, Input Pad=OFF, Input sensitivity -60dB

Total Harmonic Distortion (THD): Less than 0.1% (THD+N)
<20Hz - 20kHz @ +14dB 600 ohms (ST OUT)

Power Supply: 27W 120 V/60 Hz

Dimensions: 12.50 x 16.40 x 4.09" (317.50 x 416.56 x 103.87mm) (WxDxH)

Weight: 11.02 lbs

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