Audix has finally released the newest highly accurate stand-mount condenser microphone perfect for test and measurement applications. The Audix TM1 Test and Measurement Microphone will surely redefine the way we see stand-mount condenser microphones.

This new test and measurement condenser microphone from Audix is known for its linearity, accurate response and consistency. On top of that, it is also very easy to use and is very affordable compared to other condenser high quality condenser microphones available in the market today. It is designed to capture acoustic measurements for room analysis in software programs, real-time analyzers, and other sound-control devices.

Buy the Audix TM1 Test and Measurement Microphone and get free shipping, plus a chance to get it a six months no interest lay away plan.

The TM1 is a 6mm pre-polarized condenser microphone that features an omni-directional polar pattern. It also has an extremely flat frequency range, from 20Hz – 25Hz, which makes it the excellent mic for sound engineers, sound companies, and even for recording enthusiasts. It comes neat and nice in a four-stage brass body and capsule housing in an elegant nickel plate finish. With the TM1 stand-mount condenser microphone, you need not worry about breaking in case it accidentally falls or bumps – it is equipped with shock absorbent O-rings as well as a heavy-duty snap to fit mic clip.

The TM1 is an omni-directional microphone. It means that its response is generally considered as a perfect sphere in three dimensions, which means it picks up sound evenly from all directions. For other stand-mount condenser microphones, that is virtually impossible. This is because the body of the TM1 Test and Measurement Microphone is uniquely small, allowing sound even of the highest frequencies to be heard clearly. Since  the TM1 is an omni-directional condenser microphone, it adds very little to the original sound, making it the “purest” microphone available today.

Being an omni microphone is perhaps the greatest feature of the TM1. By picking up sound virtually from all directions evenly, with a circular pattern, you are assured that what you get is sound in its rawest form. That makes the TM1 Test and Measurement Microphone of Audix an excellent choice for symphonic music recording because the audience, as well the entire hall reverberation, will be picked up equally along with the music, providing nothing but an accurate representation of a musical performance done in a concert hall. It is exactly these highly accurate pick up characteristics that make the TM1 the best stand-mount condenser microphone for pro recording both for studio and live performance.

Who would believe that for such an affordable price you will get all these amazing features and more – it also includes an innovative acoustic foam windscreen that threads seamlessly into the microphone housing for secure and stable operation and a shockmount adapter. So what are you waiting for? Get the Audix TM1 Test and Measurement Microphone today!

Focusrite has become well known and respected for their range of equipment, and the Focusrite Saffire Pro 24 is just as promising as its predecessors.

This piece of equipment is an audio interface which is operated through Firewire, and is perfect for those who want a professional music solution in their own home. The system is far more stable compared to others in its class, and the convenience of use hits that it is targeted at recording musicians who may be working independently.

One of the focal points of the equipment are the award winning pre-amps, recognized for their ability to prevent distortion before the sounds are fully amplified. A pre-amp can be vital for those who are using microphones and turntables, as it ensures that sound quality isn’t compromised. This, when combined with options for analogue output and input, allows for the Focusrite Saffire Pro 24 to be used in a number of different scenarios as an audio interface: even for online purposes should the need arise.

Sometimes in the music industry, time can be of the essence, and the software which accompanies the Saffire Pro 24 really has been key in thoughtfully allowing some of the tasks in audio production to be done a lot easier and faster. The Saffire Mix Control mechanism allows for the mixing stage of audio production to be done simply through the computer, when you have successfully connected everything via the Firewire interface.

When you buy the Focusrite Saffire Pro 24, you really are investing in a package which allows you to have all of the support that you need in getting your show on the road. The package includes a gigabyte of royalty-free material for you to use within your compositions, meaning that you won’t be as reliant on library music as you can be if you are using other music equipment. This, when combined with all of the effects which can be applied to the music which is produced, allows for exciting music to be made with ease and efficiency.

If you were considering getting the more advanced systems from Focusrite, such as the Focusrite Saffire Pro 40 and the Focusrite Liquid Saffire 56, or already own and use them, you can be somewhat confused as to why the price of the Pro 24 is cheaper than the other two systems – particularly because of how the same high-quality pre-amps are being used. The answer is quite simple: there are less channels for inputting and outputting sound built-in to the system. But don’t despair: there is the opportunity to expand the amount of output channels you need through the use of an expander.

It certainly is an economical piece of software, which is also trying to allow you to sample the sounds you produce better, by allowing your headphones to emulate how music would sound in an environment with the acoustics of a typical room. This can be an intriguing prospect to conclude the Focusrite Saffire Pro 24 review on, and one which could get you thinking about this phenomenal piece of recording gear.