Recently, we were able to have the pleasure of testing out the Pioneer DJM-400 in our studio. We found that this little bad boy gave us all of the features that were included in the now infamous DJM-800, but with even more added features. The main difference between the two is that the DJM-400 only has two channels, whereas the 800 features four. Pioneer has been on the forefront of innovation when it came to DJ mixers, and nothing has changed with the DJM-400. We found that it was very easy to just jump on this particular mixer and start cutting and eq’ing like a pro, but there were enough advanced features to keep the most seasoned DJ entertaining and expressive in their performance. There are many features that stood out to us when we were tinkering with it here in the studio. Here are just a few that caught our eye.

The Pioneer DJM-400 contains all of the now club standard effect that its big brother has become so well known for. We already knew that the effects have all been tailored to fit perfectly over mastered material that you will mix, so it seems like anywhere you have the dial, it sounds incredible.

In addition to the more well-known effects that are contained in mixers, you have processing in 24-bit/96khz quality. You also have more elaborate effects than just the common flanger and delay. There is a really nice robot effect that fit perfect over the Frequency 528 track, “Control.” This mixer’s effect section is perfect for elektro breaks! The filter included in the DJM-400 is better than the ones that you will find on more economically designed mixers, which skimp in so many areas to save you a buck.

This thing is built like a tank too. Now we can really why the pioneer mixer has become standard for use in clubs across the entire world after testing this unit out.

One of the coolest things about the Pioneer DJM-400 is the fact that it has a on-board sampler. We found that this was integrated very nicely due to the fact that all of your four beat loops are automatically synced with the incoming audio. this makes it easy for newbies to add some extra flare, as well as given seasoned veterans new aspects of expression within their mixes.

The front panel features all of the basic mixing controls that you would expect to find on a professional mixer, such as EQ control, and switch selections for changing from line inputs and phono. This mixer had an impressive low level of signal noise, which is always a necessity for playing on a really big system.

If you are looking for a professional grade mixer, without breaking the bank, we found that the Pioneer DJM-400 is a wise choice. We just wish that we were able to keep it after evaluating it. The DJM-400 would make a great addition to any DJ’s rig, if for just effects alone.

Buy the The Pioneer DJM-400 Professional DJ Mixer through any of these special deals:

• 6 Months 0% Interest when you use the “GigaSonic / Yamaha Music & Sound Card” as Your Payment Method when Checking Out
• 6 Months No Interest, No Fee Layaway Program

If getting into the music industry is something that you are interested in doing then you may find it to be somewhat difficult, and this is due in part to the high prices that brands demand for good quality equipment. This is however not the case when it comes to the Marshall MXL v67G Condenser Microphone, this is an extra ordinary microphone with a price that will not need you to take out a huge loan or spend some time saving up for.

An important feature that should be taken into account when you are shopping around for a condenser microphone is flat frequency response, which is defined as the way a microphone responds to frequencies. Different microphones react in different ways to different frequencies, some microphones exaggerate certain frequencies while others reduce certain frequencies. A microphone with flat frequency response is one that is equally sensitive to all frequencies, and so when recording through that microphone, no frequencies would be exaggerated or reduced resulting in a more accurate recording of the original sound.

The MXL V67G is a top quality microphone and when you purchase it you will find that it comes with a few other components that come in handy, an example of this would be the accompanying carrying case that can be used to protect and transport the microphone wherever you wish.

When it comes to the design of the microphone, its sophisticated appearance makes it look pricey, but on the contrary the price is very reasonable.

The MXL V67G microphone is ticks all the boxes and will fill most people’s general criteria when it comes to purchasing a good condenser microphone. It is very difficult to point out any faults with the microphone, and especially not with its acceptable and reasonable recommended retail price. So there is very little that can be pointed out as faults and complaints.

This Marshall microphone is a great microphone on it’s own, has a lot to offer and can provide good quality recording. Anyone purchasing the MXL V67G condenser microphone will certainly not be disappointed with what they get. If performance and price does not please you enough, then maybe the fact that is comes with a three year warranty will.

Buy the Marshall MXL V67G Condenser Microphone today!

In this article we talk about the Rokit Powered KRK RP5 G2.

KRK is a brand that is very popular and respected brand in the industry – especially when it comes to studio monitors. Some say that speakers can be just as good and produce the same quality as a studio monitoring system, but the skepticism and the controversy around this statement means it is your judgment and how you hear your music that matters. Powered monitors have so much to offer, and so bringing the KRK RP5 G2 into your considerations could be worthwhile.

Just as it says in the name, this studio monitor is the second generation of the RP5. With the recommended retail price of the new version of powered monitor being just the same as the second version, there are no additional costs to the new features that come with the KRK RP5 G2, and no large strain on wallets, either!

A simple headphone jack makes this studio monitor easier to use and to control. This then means that you are able to use these speakers while playing music from your iPod or MP3 player.

These speakers are rather huge, and sometimes when you have huge speakers they can sound rather boomy or bassy. The KRK RP5 G2 does not muddle the low end, and you will be able to distinctly hear nuances in the music through each of the separate channels. You hear these little details clearly, making these elements of your song easier to define and control. Just imagine the enjoyment of hearing those little things that you wouldn’t have heard using ordinary speakers!

Anyone will easily miss the different elements of music that are compromised because of sound systems which offer low-quality distorted sound. If you want more bass, be sure to invest in some KRK sub woofers that are able to connect to the studio monitors, meaning you can get the blissful reverberations of heavier bass sound added to the music.

With the addition of other ways of input at the rear of the system, this then enables you to make the most out of the monitors, without having to worry about what kind of cable you are using. Anything and everything is taken into account when it comes to input compatibility.

In conclusion this KRK RP5 G2 Rokit Power Monitor gives everything you could want in a studio monitor that does not add coloration to your sound, and speaks the truth about your music… and at an affordable price.