Native Instruments has always lived up to the expectations of people in providing great software. But today, they are also becoming more and more popular for creating great hardware, especially when it comes to computer audio and USB audio interfaces. And with their latest product, the new Audio 2 DJ USB 2.0 Interface, they are about to prove themselves great once again.

The Audio 2 DJ will surely feed any digital DJ’s craving for high quality, extremely mobile audio interface whether they are using TRAKTOR or other DJing and performance software. Native Instruments did make a statement with this one – it is the smallest DJ USB soundcard in the world, BUT still has the enough punch to shake the world’s biggest clubs down.

Buy Native Instruments’ Audio 2 DJ USB 2.0 Interface and get free shipping, plus a chance to get it a six months no interest lay away plan.

Struggling entry level DJs who are looking for the ultimate portability possible for an audio interface without compromising audio quality will find their prayers answered with the Audio 2 DJ. And if you are a digital DJ who does not really need audio recording or time code control, then you got everything that you need with the Audio 2 DJ.

One great thing about the Audio 2 DJ is that, you can practically hook it up in any computer as long as you have a USB 2.0 cable. Its two quarter inch output channels also provides flexibility since it can either be used to route stereo signals to an external mixer, or as a master out and headphone monitor when using the internal mixer of your existing performance software. All you will need is your laptop, and the Audio DJ 2 USB 2.0 is good to go!

If you are thinking that because it is so small, it must have cut its corners in the sound quality department, well you are wrong. You will be amazed that Native Instruments guarantees super high end Circus Logic AD/DA converters. That means you get ultra low latency drivers, hi gain output levels (reaching up to 9.7 dBu on both channels) as well as ultra wide frequency response despite the extremely portable size of the Audio 2 DJ! So, even when you are holding the smallest USB audio interface in the world, you will get uncompromised sound quality and clarity with every detail of your music.

Size is not an issue with the new Audio 2 DJ USB 2.0 Interface from Native Instruments. Having a size no larger than a deck of cards, this bus-powered audio interface literally fits in a pocket and still can accommodate even the most demanding club systems. It houses a new balance of quality, size, and price.  So go and get the Native Instruments’ Audio 2 DJ USB 2.0 Interface, today!

Speaker giant Alesis recently debuted the Alesis M1 Active 520 USB Studio Monitors. Particularly designed for professional studio use, this pair will blow your ears away.

With an active studio interface, the Alesis M1 Active 520 is a team  composed of two active, bi-amplified, two-way reference speakers that can give you a faithful audio range from 20kHz down to a mere 56kHz, covering nearly all frequencies audible to human ears. On top of its USB playback ability, this pair also comes with two TRS-balanced quarter-of-an-inch inputs that transforms them into a computer audio interface in seconds.

Despite its new design, these studio monitors are very affordable for its features – it is a high precision, active reference pair of monitors complete with Bass Density control and EQ. It offers incredible sound definition and an accurate flat frequency response from the high precision drivers, thanks to its professionally made crossover. The cabinet as well as its drivers has also been redesigned for a bolder look and an even greater sonic clarity.

The front baffle of the M1 Active is an inch think, which means that it can effectively minimize speaker resonance. At the same time, its visually impressive acoustic waveguide disperses high frequency sound across your control room.

Designed for studio use, the Alesis M1 studio monitors come with a 5-inch polypropylene, low frequency drivers that are capable of 50W RMS output with 1-inch silk dome high-frequency drivers capable of 25W RMS mounted in a low resonance bass reflex, magnetically shielded cabinets. And to make things even better, the Alesis M1 comes complete with integrated USB interface providing 16-bit, 44.1/48 kHz of recording and playback functionality.

But what sets the Alesis M1 Active 520 USB Studio Monitors apart from the rest of the monitors available in the market is its new “Bass Density” technology, which allows you to tailor the output of these monitors to any room’s acoustics.

Getting the Alesis M1 Active 520 USB Studio Monitors also means having a TRS balanced ¼ inch inputs and a headphone output that automatically mutes the speakers when the headphones are connected and in use. And should you find that the bass output needs a little more punch, you will delighted to find that these bad boys are prepared with a bass boost switch, ensuring that your world is indeed truly rocked.

The entire history and reputation of Alesis as far as speaker manufacturing is concerned has gone into these boys. These studio monitors are the perfect solution for a variety of media outlets such as recording studios, radio broadcasts and other post-production facilities.  So what are you waiting for? Get the Alesis M1 Active 520 USB Studio Monitors, today!

In an industry that churns out mediocre products and poor quality sound, the Steinberg company has come out with the Steinberg Cubase 5 Audio MIDI Software that does deliver the goods. The Steinberg Cubase 5 has certainly lived up to already high expectations.

The Steinberg Cubase 5 has a new innovative workstation that has a large number of features that challenges any other competitor in the market.

The Steinberg Cubase 5 hosts a lot of new features that can be perfect for any producer in the music industry and a prime example of this is the Vari Audio, this enables the producer or whoever is using the device to use different effects on the pitch of the vocals and they can then be changed if needed to be. This does open up a whole new level in the music industry where people who are not the most amazing singers in the world can edit their voice to make it sound so much better and then go on to sell millions of records. In addition to this there are now new ways to create beats, and this can be done using the Groove Agent ONE, this virtual instrument that can be used when making new sounds.

It is also very easy to make changes to pitch and can be done quickly and conveniently at ease with the new features of this software. When you first try using the software it can be a little complex but this then outweighed when you discover just how much the software can do and achieve. Once you are comfortable with the Pitch Control feature, you will be able to see just how much promise it has to offer.

Along with many of the other features that stand out with the new Cubase, there is no need to bus a specialized keyboard when using the software and all can now be achieved when just using a normal standard keyboard and it will still give you the effect that you wish for. This, unlike the past, makes the software more compact and easier to use, making things just a little bit simpler when it comes to making music with the Cubase 5 MIDI.

There is also a Digital Audio Workstation that has given some edge to Steinberg and unlike the previous model this version is not prone to crashing continuously or at all. There are no faults or problems that occur with this new model and the company has done a great job of making sure it is close to perfect.

There is also a new feature that gives the ability to allow reverberations within specific environments to be emulated. This new additions allows producers to do so much more with there sounds and can see what the music can sound like in different locations, such as larger open areas for example a church. It is becoming a popular type of software with other competitors but it is one of the many amazing features that the Cubase has to offer.

The Cubase can be amazing at multi-tasking and for such a simple device it can do so many things, eliminating the need for using lots of different pieces of software to do different tasks as the Cubase can do them all in one, simplifying everything and making it so much less time-consuming.

In conclusion the Steinberg Cubase 5 Audio MIDI Software, has lots to offer and can be perfect for any producer that has a lot to do and a lot of music to create, for someone who wants the best and easiest way to do things then the Steinberg Cubase 5 Audio MIDI Software is the best to use.

Buy the Steinberg Cubase 5 Audio Midi Software now, and for a limited time, you can buy it through Gigasonic’s 0% interest or lay away programs.

Using multiple applications for your productions? Do you have thousands of sounds and plug-ins that you share and swap between them? Is mapping all that a huge time constraint for you?

You’re not alone.

The number one concern regarding MIDI for most professionals is the challenge you face when Mapping MIDI controls and sounds between multiple applications. This can be a laborious task, especially for those who prefer the creative aspects of this craft and find the technical side a little challenging if not outright frustrating. There is a way to make it easier and faster… Automap.

What is Automap?
Automap is a piece of software that comes with all Novation controllers. It has been designed to make the job of assigning your hardware controls to various software parameters quick and easy. Although there are many great controllers out there, the ones from Novation stand out as a “must have” due to their economical cost and this time-saving feature.

Out of Control?
Despite having knobs and sliders, most MIDI controllers are no good at controlling plug-ins. You have to read through the manual, find out the MIDI controller numbers for each control, and manually assign and name each parameter, letter by letter. Some controllers come with templates, which just fix controls to a few parameters on a hand-full of plug-ins.

In Control
Automap enables knobs, faders and buttons to instantly control plug-in instruments/FX, as well as your sequencer’s mixer, transport controls and more…

• With Automap, when you open a plug-in, you have instant access to all the plug-in parameters, allowing you to assign knobs, faders and buttons, by simply clicking on the software parameter, and touching the control.
• Automap’s edit page graphically shows you the entire control surface, labeling each control so you can see exactly what is assigned to what.
• Automap feeds back information from the plug-in, telling you what each parameter is called, and its current value: e.g – dBs, cutoff, LFO speed etc.

So, if you are working with different applications such as Ableton, Reason, Cubase, ProTools, AbSynth, Kontakt, virtually any MIDI supported software package…you should definitely have a Novation Controller with Automap in your toolkit.

For an exceptional value, I suggest getting your hands on one of the ReMOTE SL Compact models. Although these models have been recently discontinued, they are loaded with features and perform very well. They may not be available everywhere, but you can still find them at places like GigaSonic. We have priced them to move, but have limited quantities available. Click here to check out all the Novation Controllers featuring Automap.