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RME FireFace UFX USB/FireWire Interface & Avid Pro Tools 10 Bundle



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Manufactured by: Digidesign   RME  
Item Number: RMEFFUFXPTMP9PT10UPG
Warranty: 1 Year Manufacturer's Warranty
Shipping Cost:  FREE US SHIPPING  
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Sale Price: $3,399.00$2,599.00Save: 24%
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Package Contains
RME FireFace UFX USB/FireWire Audio Interface RME FireFace UFX USB/FireWire Audio Interface
Listing Price: $2,499.00Our Price if sold seperately: $2,299.00   Save: 8%
Avid Pro Tools 10 Software Avid Pro Tools 10 Software
Listing Price: $899.00Our Price if sold seperately: $499.00   Save: 44%


Description Related Deals Product  Reviews  

RME Fireface UFX

 is a USB and FireWire audio interface that gives you 30 input and 30 output channels, digitally controlled preamps, a range of digital I/O options, and an onboard word clock. The Fireface UFX's included TotalMix FX DSP mixer and signal router you'll like; it maximizes what the Fireface UFX can do while it improves your workflow. The full-color front-panel display lets you meter plus view parameters and menus. Even the Fireface UFX can be configured for standalone use as a preamp, a monitor mixer, an AD/DA converter, etc.

If you're looking for I/O flexibility, look no further than the Fireface UFX! You don't just get 12 channels of premium analog I/O; Not only do you get AES/EBU, ADAT, S/PDIF, and MIDI I/O but you get a rock-solid onboard word clock. RME makes this interface as the ideal centerpiece for your studio setup. It even includes built-in monitoring control. When you couple that functionality with the TotalMix FX DSP mixer/router, you've a total studio solution. TotalMix FX is the redesigned and integrated digital high-end mixer and signal router, driven by two powerful DSP processors, with integrated EQ, dynamics and reverb/echo effects, plus built-in monitoring control.

Avid Pro Tools 10 DAW software enables you to mix multiple audio file formats and bit depths within the same session - including interleaved - without any file duplication to cause project bloat. Plus, with support for 32-bit floating-point file formats, you'll get higher resolution sound when recording or importing, with more headroom to preserve the integrity of your audio from beginning to end.

Avid Pro Tools 10 is designed with the professional in mind, providing powerful yet easy-touse tools and streamlined workflows that boost your efficiency. Gain better recording and playback performance when working on a laptop, with an external hard drive, or network-attached storage device. Speed up editing and mixing with Smart Tools, Clip Gain, and new AudioSuite workflows. And handle the biggest plug-in heavy mixes with 16k of ADC (Automatic Delay Compensation).

Item Includes

  • RME FireFace UFX
  • Pro Tools MP9
  • Pro Tools 10 Upgrade from Pro Tools MP9
Features

RME FireFace UFX

General

  • 24-bit/192kHz
  • 30 Input / 30 Output channels
  • 12 x Analog I/O
  • 4 x Mic/Instrument Preamp, digitally controlled
  • 1 x AES/EBU I/O
  • 2 x ADAT I/O (or 1 x ADAT I/O plus 1 x SPDIF I/O optical)
  • 1 x Word Clock I/O
  • 2 x MIDI I/O
  • 1 x FireWire 400
  • 1 x USB 2.0
  • TotalMix FX DSP mixer/ signal router

TotalMix FX

  • DSP-based TotalMix mixer allows fully independent routing and mixing of all 30 input and playback channels to all 30 physical outputs
  • Two DSPs ensure an impressive performance even in extreme applications
  • Up to 15 totally independent stereo sub-mixes, plus a comprehensive Control Room section, offer unrivalled monitoring capabilities and routing flexibility
  • Every input and output channel comes with an extensive feature set, comparable to a full-scale digital console.
  • Effects per channel include 3-band parametric EQ, adjustable low-cut, auto level, compressor, expander, MS processing and phase reversal.
  • Reverb and echo effects unit is available for all channels via a stereo send and return bus.
  • The FX-DSP uses automatic overload surveillance - as soon as no more effects can be added, the TotalMix surface will clearly signal this condition
  • When changing to higher sample rates the UFX automatically deactivates all effects that exceed the DSP's performance - the DSP will never be overloaded
  • The complete effects section not only adds a lot of flexibility to the recording chain, but makes latency burdened software obsolete
  • TotalMix can easily replace any external mixer, e.g. to create different latency-free monitoring mixes with EQ and reverb for the main studio monitors, and the headphone of the vocalist(s) in the recording chamber
  • The DSP hardware calculates RMS and Peak levels for all level meters, so there is zero CPU load on the host
  • The main functions of TotalMix can be remote controlled via MIDI with any Mackie Control compatible controller

AD, Line-in 1-8, rear

  • Signal to Noise ratio (SNR): 110 dB RMS unweighted, 113dBA
  • Frequency response @ 44.1kHz, -0.1 dB: 5 Hz - 21.5kHz
  • Frequency response @ 96kHz, -0.5 dB: 5 Hz - 45.5kHz
  • Frequency response @ 192kHz, -1 dB: 5 Hz - 66.5kHz
  • THD: < -110dB, < 0.00032%
  • THD+N: < -104dB, < 0.00063%
  • Channel separation: > 110dB
  • Input: 1/4" TRS jack, electronically balanced
  • Input sensitivity switchable to Lo Gain, +4dBu, -10dBV
  • Input level for 0 dBFS @ Lo Gain: +19dBu
  • Input level for 0 dBFS @ +4 dBu: +13dBu
  • Input level for 0 dBFS @ -10 dBV: +2dBV

Microphone In 9-12, front

  • Input: XLR, electronically balanced
  • Signal to Noise ratio (SNR): 112dB RMS unweighted, 115dBA
  • Gain range: 65dB
  • Maximum input level, Gain 0dB: +12dBu

Details for RME FireFace UFX

Pro Tools 10

  • Digital Audio Workstation (DAW) software for Mac and PC
  • NEW! Advanced EUCON support adds over 500 controllable commands to your EUCON-equipped control surface plus
  • NEW! Read and record from flash drives, RAID systems, and server storage systems such as Avid's ISIS 5000.
  • NEW! Increased Automatic Delay Compensation (up to 16,383 samples)
  • NEW! Sessions can contain various audio file types and formats, including interleaved stereo audio files
  • NEW! Channel Strip plug-in format delivers the sound of the legendary System 5 console
  • NEW! Down Mixer plug-in sums sessions from up to 7.1 surround down to 5.1, 2.1, 2.0, and even mono mixes
  • NEW! Mod Delay III plug-in lets you add fun and exciting time/modulation-based effects
  • NEW! 32-bit floating-point audio lets you store higher-quality audio
  • NEW! Clip Gain adds dynamic volume flexibility and increases integration with Media composer
  • NEW! Open multiple AudioSuite windows at once
  • NEW! Upgraded AudioSuite processing includes handles, whole file processing, and reverse delay/reverb processing
  • NEW! AudioSuite processing preserves metadata
  • NEW! Real-time fades eliminate the need for fade files and allow you to apply fades with the timeline running
  • NEW! Overlapping Crossfades view
  • NEW! Rewritten Disc Scheduler is more forgiving for slower hard drives and allows use of netword-attached storage drives
  • NEW! Bus Interrogation lets you track your signal flow
  • NEW! Export Selected Tracks as New Session command make collaboration easier
  • NEW! 24-hour timeline support for enhanced post-production compatibility
  • NEW! Low Latency Monitoring with Core Audio and ASIO hardware
  • NEW! Export to iTunes and Export to SoundCloud
  • EW! Pro Tools in-application web browser for easy access to Avid Marketplace and Pro Tools resources
  • Works with any audio interface or standalone
  • Automatic Delay Compensation
  • Multitrack Beat Detective and Elastic Audio let you correct timing across all of your tracks
  • Up to 96 voiceable tracks at 44.1/48kHz
  • Up to 32 channels of simultaneous I/O
  • OMF/AAF/MXF Interchange Support Built In
  • MP3 Export Option with built in
  • Full time code support with feet and frames rulers
  • Adjustable stereo pan depth feature
  • Over 70 plug-ins and virtual instruments for sound shaping
  • Score Editor and MIDI Editor windows for comprehensive composing
  • Create a flawless performance using track compositing features
  • Automation and controller lanes provide easy editing access
  • QuickTime HD support on Mac OS X-based systems
Specification

Inputs Analog
4 x XLR/TRS Combo Microphone/Line(front panel)
8 x 1/4" TRS phone Balanced Line (rear panel)
Digital
1 x XLR AES/EBU
2 x TOSLink ADAT optical
1 x BNC Wordclock 1
Outputs Analog
2 x XLR Line (rear panel)
6 x 1/4" TRS phone Balanced Line (rear panel)
2 x 1/4" TRS phone Line/Headphone (front panel
Digital
1 x XLR AES/EBU
2 x TOSLink ADAT optical
1 x BNC Wordclock 2
MIDI 2 x 5-pin DIN MIDI In
2 x 5-pin DIN MIDI Out
Connectivity USB 2.0
FireWire 400
Sample Rate 44.1, 48, 88.2, 96, 176.4 and 192kHz
Input Level Microphone
Maximum input level, gain 0dB: +12dBu
Line
0dBFS @ Lo Gain: +19dBu
0dBFS @ +4dBu: +13dBu
0dBFS @ -10dBV: +2dBV
Output Level Line
0dBFS @ Hi Gain: +19dBu
0dBFS @ +4dBu: +13dBu
0dBFS @ -10dBV: +2dBV
Stereo Monitor
0dBFS @ 24dBu: +24dBu
Stereo Monitor Phones
0dBFS, High: +13dBu
0dBFS, Low: +2dBV
Line
Output level switchable Hi Gain, +4dBu, -10dBV
Stereo Monitor
Output level switchable 24dBu, Hi Gain, +4dBu, -10dBV
Gain Range Microphone
65dB
Instrument
55dB
Output Impedance Line: 75Ω
Stereo Monitor Phones: 30Ω
Dynamic Range Output
115dB RMS unweighted, 118dBA
THD Input: <-110dB, <0.00032%
Output: <-104dB, <0.00063%
THD + N Input: <-104dB, <0.00063%
Output: <-100dB, <0.001%
Signal to Noise Ratio Input
Line: 110dB RMS unweighted, 113dBA
Microphone: 112dB RMS unweighted, 115dBA
Instrument: 112dB RMS unweighted, 115dBA
Crosstalk >110dB
Frequency Response Input
5Hz to 21.5kHz, -0.1dB @ 44.1kHz
5Hz to 45.5kHz, -0.5dB @ 96kHz
5Hz to 66.5kHz, -1.0dB @ 192kHz
Output
5Hz to 22kHz, -0.5dB @ 44.1kHz
5Hz to 34kHz, -0.5dB @ 96kHz
5Hz to 50kHz, -1.0dB @ 192kHz
Power Supply Internal switching PSU, 100~240VAC, 50/60Hz
Power Consumption 30W
Drivers PC: Windows XP SP2, Vista, Windows 7 (32- and 64-bit)
Mac: OS X 10.5 or higher (Core Audio)
Dimensions 1U 19" rackmount
Weight Not specified by manufacturer
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  • Testimonials
  • 05/14/10 12:00 AM
    "The item I ordered arrived promptly and in perfect condition. It was exactly as the seller had advertised and there were no "surprises" on the..."
    - jarvire 

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