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  • Home » Computer Audio » Computer Audio Bundles » RME Fireface 800 Firewire Audio Interface & Avid Pro Tools 10 Bundle

RME Fireface 800 Firewire Audio Interface & Avid Pro Tools 10 Bundle


RME Fireface 800 Firewire Audio Interface & Avid Pro Tools 10 Bundle

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Manufactured by: Digidesign   RME  
Item Number: FIREFACE800PROTOOLS9
Warranty: 1 Year Manufacturer's Warranty
Shipping Cost:  FREE US SHIPPING  
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Ships to: Worldwide
Availability: In Stock

We ship to most of the countries in North and South America, Europe, Australia and some countries in Asia and Africa.

Most of our buyers are from from USA, Australia, Brazil, Canada, Denmark,France, Germany, Italy, Japan, New Zealand, Norway, Netherlands, Spain and UK.

International Purchasing or Wholesale Import and Export businesses are welcome!

Sale Price: $2,699.00$2,099.00Save: 22%
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Package Contains
RME Fireface 800 Firewire Audio Interface RME Fireface 800 Firewire Audio Interface
Listing Price: $1,999.00Our Price if sold seperately: $1,799.00   Save: 10%
Avid Pro Tools 10 Software Avid Pro Tools 10 Software
Listing Price: $899.00Our Price if sold seperately: $499.00   Save: 44%


Description Related Deals Product  Reviews  

RME Fireface 800

 is a 56 channel 24 bit / 192 kHz high-end, high performance and high speed FireWire audio interface for use both the Mac and Windows. Fireface 800 provides the some of the best instrument input implementation to be found anywhere in an audio interface plus a high power headphone output and signal-to-noise ratios of 119 dBA - typically RME!

Avid Pro Tools 10 DAW software enables you to mix multiple audio file formats and bit depths within the same session - including interleaved - without any file duplication to cause project bloat. Plus, with support for 32-bit floating-point file formats, you'll get higher resolution sound when recording or importing, with more headroom to preserve the integrity of your audio from beginning to end.

Avid Pro Tools 10 is designed with the professional in mind, providing powerful yet easy-touse tools and streamlined workflows that boost your efficiency. Gain better recording and playback performance when working on a laptop, with an external hard drive, or network-attached storage device. Speed up editing and mixing with Smart Tools, Clip Gain, and new AudioSuite workflows. And handle the biggest plug-in heavy mixes with 16k of ADC (Automatic Delay Compensation).

Item Includes

  • RME Fireface 800
  • Pro Tools MP9
  • Pro Tools 10 Upgrade from Pro Tools MP9
Features

RME Fireface 800

Direct ASIO Headphone Monitoring
Fireface 800's headphone output delivers high volume with low-impedance headphones and mirrors playback channels 9/10. In contrast to the Multiface, the Fireface 800's headphone output is capable of direct ASIO monitoring.

Built-In "Tube Sound" Limiter For Guitar And Bass
The FireFace 800's Hi-Z instrument input offers an unprecedented fidelity and flexibility for guitar and bass. A soft-limiter, specifically designed instruments, provides overload protection for the A/D-converter and deliberately creates harmonic distortion to emulate tube sound. Due to a soft transition and creation of harmonics, the Fireface 800's limiter can emulate tube saturation. A 'fuzz' circuit, which can be activated in addition, deliversguitar distortion. A multi-stage filter can remove low- and high-frequency disturbances and guarantees a optimal sound even when recording directly into the computer or when monitoring through a mixing console. Signals from guitar or bass can be recorded clean for optimal plug-in processing in your DAW.

Balanced I/O at 192kHz and 119dBA Dynamic Range
RME's highly successful Multiface was the basis for the development of the Fireface 800. The Fireface 800 features 8 balanced line I/Os with software controlled reference level switching (-10 dBV, +4 dBu, HiGain), to guarantee highest dynamic range and fidelity. Apart from the levels of the Fireface 800's microphone pre-amps and the headphone outputs, all device settings are software controlled. The RME Fireface 800 is equipped with the latest A/D and D/A converter chips and all I/Os operate up to 192 kHz with a dynamic range of 119 dBA on playback.

Simultaneous TRS and XLR I/O
All inputs and outputs can be used at the same time. E. g., the instrument input can be used either instead of the line input on the back, or together with it. Even the jack and the XLR sockets of the microphone inputs can be used simultaneously. In this way, up to 35 signal sources can be connected to the Fireface 800 and recorded onto 28 separate tracks!

ADAT I/O
RME Fireface 800 has two ADAT I/Os and 1 S/PDIF I/O. When combined with two additional ADI-8 DS', you can have 26 analog inputs and outputs at 48kHz or 18 at 96 kHz. The SPDIF-I/O works up to 192 kHz, allowing 10 analog inputs and outputs at the highest sample rate, plus two digital ones.

4 Phantom Powered Mic Pres
RME Fireface 800 has 4 discrete balanced microphone inputs with class-A stage, 48 V phantom power and separate TRS and XLR inputs, which can also be used as additional line inputs. Two of the Fireface 800's four mic inputs are permanently available as channels 9 and 10 while the other two can be used with inputs 7 / 8 on the back panel.

Details for Fireface 800

Avid Pro Tools 10

  • Digital Audio Workstation (DAW) software for Mac and PC
  • NEW! Advanced EUCON support adds over 500 controllable commands to your EUCON-equipped control surface plus
  • NEW! Read and record from flash drives, RAID systems, and server storage systems such as Avid's ISIS 5000.
  • NEW! Increased Automatic Delay Compensation (up to 16,383 samples)
  • NEW! Sessions can contain various audio file types and formats, including interleaved stereo audio files
  • NEW! Down Mixer plug-in sums sessions from up to 7.1 surround down to 5.1, 2.1, 2.0, and even mono mixes
  • NEW! Mod Delay III plug-in lets you add fun and exciting time/modulation-based effects
  • NEW! 32-bit floating-point audio lets you store higher-quality audio
  • NEW! Clip Gain adds dynamic volume flexibility and increases integration with Media composer
  • NEW! Open multiple AudioSuite windows at once
  • NEW! Upgraded AudioSuite processing includes handles, whole file processing, and reverse delay/reverb processing
  • NEW! AudioSuite processing preserves metadata
  • NEW! Real-time fades eliminate the need for fade files and allow you to apply fades with the timeline running
  • NEW! Overlapping Crossfades view
  • NEW! Rewritten Disc Scheduler is more forgiving for slower hard drives and allows use of netword-attached storage drives
  • NEW! Bus Interrogation lets you track your signal flow
  • NEW! Export Selected Tracks as New Session command make collaboration easier
  • NEW! 24-hour timeline support for enhanced post-production compatibility
  • NEW! Low Latency Monitoring with Core Audio and ASIO hardware
  • NEW! Export to iTunes and Export to SoundCloud
  • NEW! Pro Tools in-application web browser for easy access to Avid Marketplace and Pro Tools resourc
  • Works with any audio interface or standalone
  • Automatic Delay Compensation
  • Multitrack Beat Detective and Elastic Audio let you correct timing across all of your tracks
  • Up to 96 voiceable tracks at 44.1/48kHz
  • Up to 32 channels of simultaneous I/O
  • OMF/AAF/MXF Interchange Support Built In
  • MP3 Export Option with built in
  • Full time code support with feet and frames rulers
  • Adjustable stereo pan depth feature
  • Over 70 plug-ins and virtual instruments for sound shaping
  • Score Editor and MIDI Editor windows for comprehensive composing
  • Create a flawless performance using track compositing features
  • Automation and controller lanes provide easy editing access
  • QuickTime HD support on Mac OS X-based systems
Specification

REM Fireface 800

Converters
24-bit

Sample Rates
Internally: 32, 44.1, 48, 64, 88.2 kHz, 96 kHz, 128, 176.4 and 192kHz
Externally: 28kHz to 200kHz

Analog Input
4 x XLR/4 x 1/4" TRS phone (front)
8 x 1/4" TRS 1/4" phone, software controlled switching of reference levels -10dBV, +4dBu or HiGain (rear)
1 x 1/4" TS phone

Analog Output
8 x 1/4" TRS phone, servo-balanced, DC-coupled
1 x 1/4" TRS unbalanced

Digital Input
2 x ADAT optical or S/PDIF optical
1 x RCA S/PDIF coaxial (AES/EBU compatible)

Digital Output
2 x ADAT optical or S/PDIF optical
1 x RCA S/PDIF coaxial (AES/EBU compatible)

MIDI In/Out
Yes

Sync In/Out
2 x BNC WordClock
S/PDIF

Headphone Output
Yes. Headphone output can be used directly with ASIO direct monitoring

THD + N
AD: < -104dB (< 0.00063%)
DA: < -100dB (< 0.001%)

Dynamic Range
AD: 109dB RMS unweighted, 112dBA
DA: 116dB RMS unweighted, 119dBA (unmuted)

Frequency Response
-0.1dB: 5Hz to 21.5kHz @ 48kHz
-0.5 dB: <5Hz to 43.5kHz @ 96kHz
-1.0 dB: <5Hz to 70kHz @ 192kHz

System Requirements
Drivers:

Mac:
OS X 10.3 or up
Core Audio
Core MIDI
Up to three units operational simultaneously

PC:
Windows 2000 SP4 or XP
ASIO multi-client operation of WDM, MME, GSIF 2.0 and ASIO 2.0. WDM (DirectSound) with stereo and multi-channel support
Up to three units operational simultaneously
Fully hot-pluggable

Specialties
The unit has a second port for hub functionality, bi-lingual mode for full FireWire 400 compatibility and an additional FireWire 400 port

Avid Pro Tools 10

Software Type: DAW

Supported Computer Format: Mac/P

Supported Plug-In Formats: RTAS, AS

Supported Audio Formats: AIFF, WAV, BWF, SDII, SDI, MP3, MXF audio, AIFL (Mac only), WMA (Windows only), QuickTime (Mac only), AAC, REX, ACID

Hardware Requirements - Mac: 2GB RAM (4GB Recommended)

Hardware Requirements - PC: 2GB RAM (4GB Recommended)

OS Requirements - Mac: Mac OS X 10.6.5+ or 10.7x

OS Requirements - PC: Windows 7

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