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  • Home » Computer Audio » Computer Audio Bundles » Digidesign » Digidesign Avid Pro Tools|HDX Upgrade (HD|3 + I/O to PT HDX + OMNI)
  • Home » Digidesign » Computer Audio Bundles » Digidesign Avid Pro Tools|HDX Upgrade (HD|3 + I/O to PT HDX + OMNI)

Digidesign Avid Pro Tools|HDX Upgrade (HD|3 + I/O to PT HDX + OMNI)

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Digidesign Avid Pro Tools|HDX Upgrade (HD|3 + I/O to PT HDX + OMNI)

Digidesign Avid Pro Tools|HDX Upgrade (HD|3 + I/O to PT HDX + OMNI) Description
Upgrade to Pro Tools|HDX and save! Here's a special offer from Avid. Exchange your Pro Tools|HD3 system plus an HD interface, and save on your new Pro Tools|HDX system. Your new Pro Tools|HDX system includes Pro Tools HD 10, an Avid HDX DSP-acceleration card, and a current-generation HD series interface. Please call your Sales Engineer for more information.

Avid Pro Tools|HDX

 system includes Pro Tools HD DAW software, HDX DSP-acceleration card and HD I/O Omni audio interface. By far, Avid Pro Tools|HDX system is the most powerful, versatile, and professional DAW system to ever hit the recording world.

Avid Pro Tools HD 10 is the most comprehensive audio and music production environment to date. Powerful new AAX plug-ins, ultra-fast workflows, and over 50 more exciting new features give you more flexibility than ever before. Whether you run a recording facility, editing suite, or post-production house, Avid Pro Tools HD 10 is going to rock your world!

Avid HDX card is like having about the equivalent of an HD3 or HD4 system on a single card. To put it mildly, that's a ton of DSP power for your DAW! What's more, there's a separate FPGA processor for your mix bus, so all of your HDX card's DSP power is dedicated to running plug-ins. Each HDX card gives you 256 voices, a full four times the routing capacity of an Accel card. That means you can freely use Avid's new AAX plug-ins, without worrying about running out of voices.

Digidesign HD I/O Omni digital audio interface features premium analog-to-digital and digital-to-analog converters that deliver high audio fidelity, extensive dynamic range, super-low jitter, and the lowest possible latency. Built-in sample rate conversion and a soft clip feature allows for worry-free performance, while Curv, a built-in soft-knee limiter catches even the fastest transients.

When the Pro Tools software doesn't need to be launched or even the computer turned on, the HD OMNI features a built-in, customizable, 14-input monitor mixer, allowing for the continued monitoring of external sources including keyboards, drum machines, and digital music players, independently from the recording setup.

The HD OMNI offers performance, dependability, and control of all inputs, outputs, and routing right from the Pro Tools software interface. This digital audio interface and Pro Tools HD hardware will function with other DAW software via full support of Core Audio and ASIO drivers.

Features

Avid Pro Tools HD DAW Software

  • Digital Audio Workstation (DAW) software for Mac and PC
  • NEW: Support for Avid's HDX cards and AAX plug-in format
  • NEW: Disc Caching lets you cache your entire sessions into RAM, dramatically speeding up your workflow
  • NEW: read and record from flash drives, RAID systems, and server storage systems such as Avid's ISIS 5000.
  • NEW: increased Automatic Delay Compensation (up to 16,383 samples)
  • NEW: sessions can contain various audio file types and formats
  • NEW: Down Mixer sums sessions from up to 7.1 surround down to 5.1, 2.1, 2.0, and even mono mixes
  • NEW: 32-bit floating-point audio lets you store higher-quality audio
  • NEW: Clip Gain adds dynamic volume flexibility and increases integration with Media composer
  • NEW: upgraded AudioSuite processing includes handles, whole file processing, and reverse delay/reverb processing
  • NEW: Channel Strip plug-in format delivers the sound of the legendary System 5 console
  • NEW: advanced EUCON support adds over 500 controllable commands to your EUCON-equipped control surface plus EUCON support for XMON
  • NEW: Real-time fades eliminate the need for fade files and allow you to apply fades with the timeline running
  • NEW: rewritten Disc Scheduler is more forgiving for slower hard drives and allows use of netword access storage drives
  • NEW: handy visual indicators for mutes and solos
  • NEW: Bus Interrogation lets you track your signal flow
  • NEW: Export Selected Tracks as New Session command make collaboration easier
  • NEW: 24-hour timeline support for enhanced post-production compatibility
  • NEW: Export to iTunes and Export to SoundCloud
  • Works with any audio interface or standalone
  • Automatic Delay Compensation
  • Multitrack Beat Detective and Elastic Audio let you correct timing across all of your tracks
  • Up to 96 voiceable tracks at 44.1/48kHz
  • OMF/AAF/MXF Interchange Support Built In
  • MP3 Export Option with built in
  • Full time code support with feet and frames rulers
  • Adjustable stereo pan depth feature
  • Over 70 plug-ins and virtual instruments for sound shaping
  • Score Editor and MIDI Editor windows for comprehensive composing
  • Create a flawless performance using track compositing features
  • Automation and controller lanes provide easy editing access
  • QuickTime HD support on Mac OS X-based systems

Avid HDX DSP-acceleration Card

  • Incredible DSP power for Avid's AAX plug-in format
  • 3-7 times the power of an HD Accel system on a single PCIe card
  • FPGA mix processor frees up DSPs for powering plug-ins
  • 256 voices per card (4 x the voices HD Accel)
  • Connect up to four HD series interfaces per card
  • 64-bit floating-point summing sounds amazing
  • 32-bit floating-point processing between plug-ins preserves quality and dramatically increases headroom
  • Expand your system by adding more HDX cards
  • 64-bit-ready architecture is ready for the future of Pro Tools HD

HD I/O Omni Audio Interface

  • 4-in/8-out audio interface
  • Digitally controlled Mic/Line/DI preamps
  • Flexible analog and digital I/O
  • Same flagship converters as HD I/O
  • Persistent surround monitoring
  • Fold-down to any monitor format
  • Integrated 14 x 26 channel mixer
  • Curv analog soft knee limiter protects against transient spikes
  • Pristine audio clarity and ultra low latency through state-of-the-art A/D and D/A conversion
  • High-quality, low-noise analog I/O: 2 premium, digitally-controlled mic/DI preamps, 4 line inputs, 8 line outputs, with true analog gain
  • Versatile digital I/O, with sample rate conversion on all inputs: 8 channels of ADAT I/O (supports S/MUX II and IV), 2x8 channels of AES/EBU I/O, 2 channels of S/PDIF I/O
  • Route audio independently from Pro Tools with the persistent 14X26 pass-through mixer
  • Completely integrates with Pro Tools HD for full routing, mixing, and monitoring control
  • Track hotter signals and smooth out sounds with Curv, a new built-in soft-knee limiter
  • Hear your mixes in however many channels you need, from stereo to 7.1 surround
  • Improve communication while tracking with dedicated cue path
  • Keep things in sync with dedicated Word Clock and Loop Sync I/O
  • Compact 1U rack-mountable chassis
Specification

HD I/O Omni Audio Interface
Analog Inputs 4
Analog Outputs 8
Mic / Instrument Inputs 4 (2 simultaneous inputs at a time)
Mic Pre Gain 65 dB
Headphone Output 1
Monitoring Formats 7.1, 7.0, 6.1, 6.0, 5.1, 5.0, QUAD, LCRS, LCR, 2.1, Stereo, Mono
Speaker Selection 2 Sets
Persistent Mixer 14 input channels to 2 multichannel monitoring paths, each with its own fold-down configuration
AES/EBU I/O 2 x 8
AES Single-Wire (192 kHz) Yes
S/PDIF I/O 2
ADAT I/O 8
S/MUX S/MUX II and IV
SRC AES, S/PDIF (coax RCA & Optical inputs)
Word Clock I/O 1 In + 1 Out
Loop Sync I/O 1 In + 1 Out
Curv Yes
Soft Clip Yes
Digital Interface DigiLink Mini
Chassis 1U rack-mountable chassis
Mic Inputs
Frequency Response 20 Hz – 20 kHz (+/-.05 dB)
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