It looks new. Only been used less than a few hours. Sometimes it only has been opened and tested.
Soundcraft EPM is available in three models such as EPM 12 (12 Mono inputs), EPM8 (8 Mono inputs), and EPM6 (6 mono inputs), each with 2 stereo channels as standard. The emphasis with the Soundcraft EPM Series is very firmly on quality audio performance, with an easy-to-understand control surface uncluttered by unnecessary features. The EPM12 mixer’s surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly transparent GB30 mic preamp (designed by Graham Blyth and used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the mixing console. This mixer’s true professional 48-volt phantom power caters to condenser mics of all types. Unique signal monitoring watches for overload in several channel strip locations and illuminates the LED more brightly as the signal approaches peak. 60mm high-quality faders are used. The monitor and headphone outputs work in parallel so that performers can listen on phones while an engineer listens to studio monitors.
12×2 frame size
2 configurable auxiliary buses
XLR-type and 1/4″ metal jack connector sockets
RCA phono stereo playback inputs and record outputs
3-band EQ with a swept mid on mono inputs
2-band EQ on stereo inputs
TRS insert sockets and inserts on all mono inputs and mix output
10-segment LED output metering
Intuitive and comprehensive solo system
Headphone output
Easily rack mountable
Total # Of Inputs:
12x Mono
2x Stereo </p
Mic/Line Inputs:
12x Line Mono: 1/4″ TRS Phone
2x Line Stereo: L/R 1/4″ TRS Phone
12x Microphone: 3-pin XLR
Stereo Line Inputs: 2x Stereo: L/R 1/4″ TRS Phone
In-Line Inputs/Returns: No
AUX Sends: 2x Aux Sends
AUX Returns: No dedicated returns
Inserts: 1/4″ TRS Phone – Mono Inputs, Main Stereo Output
BUS (Group) Outputs: Stereo Output Only
2 Trk Master I/O: Mix L/R: Stereo Paired L/R RCA Phono
ALT I/O: No
Monitor Outputs: Monitor: L/R Stereo Paired 1/4″ TRS Phone
EQ Section:
Mono Inputs +/- 15 dB
Lo: 80 Hz
Mid: 150 Hz – 3.5 kHz (swept)
Hi: 12 kHz
Q: 1.5
Stereo Inputs +/-15 dB
Lo: 80 Hz
Mid: 720 Hz
Hi: 12 kHz
Solo/Mute: All Input Channels
Channel Level Control: 100 mm Faders
Trim/Gain Control: Rotary Potentiometers
Phantom Power: +48 V Phantom
Metering:
10-Segment L/R Peak LEDs
+48 V Phantom Power LED
PFL Active LED
Power Indicator LED
Frequency Response: 20 Hz to 20 kHz +/-1.5 dB
Dynamic Range: Not specified by manufacturer
Signal-to-Noise Ratio:
Noise (22 Hz – 22 kHz measurement bandwidth)
Mic EIN @ max gain, 150 ohms source impedance -127 dBu
Mix @ max, faders to down <-85 dBu
Total Harmonic Distortion (THD): Mic sensitivity 30 dB, +14 dBu @ mix output: <0.02%
Power Supply:
Integral lightweight switched-mode PS
AC mains supply: 85-270 V AC, 50/60 Hz universal input
Power Consumption: Less than 20 W
Dimensions (WxHxD): 432 x 91 x 362mm; 17 x 3.6 x 14.3″
Weight: 5.8 kg; 12.8 lbs
